by guest contributor Tamara Buchwald
Photo credit: Tony Powell
On a refreshing spring rainy evening, in a celebration of the confluence of culture, artistry and dialogue, the Fashioning Power, Fashioning Peace gala unfolded as a global fete of the transformative international language of clothing. Held in the stately former home of America’s 28th president, the Woodrow Wilson House, this extraordinary exhibition gathered Washington’s finest from around the world to honor fashion not merely as fabric and form, but as a bonding force. In addition to admiring international fashion with over fifty garments from diplomats and designers alike, the annual gala and exhibition drew a distinguished crowd of diplomats, dignitaries, artists and advocates to honor a woman whose career has redefined leadership: The Honorable Nancy Pelosi.
T.H. Nancy Pelosi,
Fashioning Power, Fashioning Peace was a reminder that what we wear often speaks much louder than what we say. Through textiles steeped in heritage, silhouettes that echo political histories, and garments tailored with intent, the event spotlighted the power of clothing. Each of the galleries were organized in a way that connected the significance of the clothing. The gallery exhibited the traditional attire, the drawing room–modern attire, the library–first ladies’ attire and the dining room–wedding and formal gowns.
From the intricately glass beaded traditional women costume from Albania to the elaborately hand embroidered Bolivian costume, made by a team of eight artisans, whose intricate iconography reflected the Andean cosmovision and enduring strength of the people. Once piece in that was reminiscent of Audrey Hepburn in Breakfast at Tiffanys was a knee-length, strapless white dress designed by Coco Chanel where elegance meet modern femininity with her signature minimalist touch. The dress is fitted through the bodice, gently sculpting the torso with subtle internal structure -a nod to Chanel’s belief in comfort and refinement, a perfect blend of softness and structure.
The Uchikake, a traditional Japanese bridal kimono, unfolds in a vision of crimson silk, rich and luminous like a sunset over Kyoto’s ancient rooftops. This particular piece is a masterpiece of ceremonial splendor—adorned with vibrant pageantry that tells stories in thread. The base crimson hue signifies happiness and good fortune, while its depth gives the garment a regal, almost sacred presence. It is not merely clothing—it is a living tapestry, embodying centuries of tradition, craftsmanship, and symbolism. When worn, it transforms the figure into an embodiment of Japanese elegance, grace, and ceremonial beauty. Each of the pieces in this magnificent exhibition is worthy of pages and pages describing the authenticity and beauty as well as the relationship to the country and customs.
The highlight of the evening began with remarks from Elizabeth Karcher, the Executive Director of the Woodrow Wilson House. She explained the “mission is about much more than preservation.” She continued, “The highest and best use of this site is to harness the power of the place to inspire honest reflection, civic engagement and global understanding.” Elizabeth introduced Janet Pitt, the Chair of the event. Janet began speaking of the indelible Esther Coopersmith and her impact as a distinguished diplomat to a women’s rights activist. She continued sharing the importance of women like Esther Coopersmith and Nancy Pelosi. She presented the Esther pin, designed by Ann Hand to Nancy Pelosi honoring her for her enormous contribution to diplomacy and global collaboration in addition to her enduring impact on public service. The event closed with an emotional moment as Pelosi herself took the stage for a standing ovation. She, too, spoke of the importance of Esther Coopersmith in her life and the continuing importance of diplomacy, resilience and global engagement.
